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非虛構(gòu)日記0.0

類型：地區(qū)：韓國年份：2014

主演：

導(dǎo)演：鄭潤錫

更新： 2024-07-31

簡(jiǎn)介：90?? ?? ??? ??? ??? ??? ??? ??? ??? ????? ?? ??? ???? ?? ??. ????? ??? ???? ??, ?? ??? ??, 5.18 ??? ?? ?? ??? ???? ???? ??? ?? ?? ? ?? ?? ??? ???? ?? ?? ??? ‘??’??. What happened in Korean society in the 1990s? The film starts with the Jijon-pa (Supreme Gangsters) case. The shocking story is narrated through the discussion by the two detectives who arrested the gangsters, of details of the roundup, data screens, and the death sentence. Nevertheless, Nonfiction Diary’s focus is not on the crime story. Starting from Jijon-pa onwards, the film reflects on the 1990s, when Korea digressed into contemporary history. The Seongsu Bridge and the Sampoong Department Store’s collapses are recalled, followed by the then-government’s punishment of the May 18 Uprising leaders, revealing the Korean legal system’s death penalty status, touching on political and power issues. The audience is reminded that today, 2013, is an extension of that same flow. Director Jung Yoonsuk’s Non-fiction Diary “records” the records by summoning forgotten incidents, utilizing interviews and the media’s data screens. This record is a “report”on contemporary society as well as a “record of the remembrance”. (HONG Hyosook) 18th Busan International Film Festival Documentary Competitio

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90?? ?? ??? ??? ??? ??? ??? ??? ??? ????? ?? ??? ???? ?? ??. ????? ??? ???? ??, ?? ??? ??, 5.18 ??? ?? ?? ??? ???? ???? ??? ?? ?? ? ?? ?? ??? ???? ?? ?? ??? ‘??’??. What happened in Korean society in the 1990s? The film starts with the Jijon-pa (Supreme Gangsters) case. The shocking story is narrated through the discussion by the two detectives who arrested the gangsters, of details of the roundup, data screens, and the death sentence. Nevertheless, Nonfiction Diary’s focus is not on the crime story. Starting from Jijon-pa onwards, the film reflects on the 1990s, when Korea digressed into contemporary history. The Seongsu Bridge and the Sampoong Department Store’s collapses are recalled, followed by the then-government’s punishment of the May 18 Uprising leaders, revealing the Korean legal system’s death penalty status, touching on political and power issues. The audience is reminded that today, 2013, is an extension of that same flow. Director Jung Yoonsuk’s Non-fiction Diary “records” the records by summoning forgotten incidents, utilizing interviews and the media’s data screens. This record is a “report”on contemporary society as well as a “record of the remembrance”. (HONG Hyosook) 18th Busan International Film Festival Documentary Competitio

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